A setting of extracts from Psalm 69 for choir (the Swedish Radio Choir) and a group of early music instruments (Serikon): cornetto, mute cornetto, baroque trombone, dulcian; three baroque violas, lirone; organ, electric guitar, theorbo.
De Profundis Aquarum
The piece was commissioned for a project called Aqua Alta, which relates to the fact that Venice is sinking and links this with the whole question of the destruction of the environment. The text, from Psalm 69, reflects these concerns in an abstract way.
Fior me it was a pleasure to work for the first time with a group of baroque and renaissance instruments and to take on board all kinds of questions about specific techniques, tuning and so on, and to work directly with some very fine and highly individual musicians, who were invariably helpful. My main link was with the director of Serikon, the baroque trombonist Daniel Stigall, who introduced me to various musicians, with whom I worked personally or through correspondence.
As a result we have future projects involving my own singer Anna Maria Friman and John Potter, with cornetto, shawm and trombone. (see photo)