Dedication: Ziella and Orlanda
Instrumentation: solo viola, electric guitar, 3 cellos, double bass, bass clarinet
First performance (this version): Studio One, BBC Maida Vale, September19th 1997
Epilogue from Wonderlawn (1994)
In May 1994 I worked with the choreographer Laurie Booth on a full evening piece called Wonderlawn for which I employed a small string group drawn from my ensemble consisting of viola, cello, double bass and electric guitar. In the original dance the final section was accompanied by a version of this Epilogue. I have subsequently modified the instrumentation and made a few other changes to the piece. For live performance I usually add a part for a second viola, as well as a bass-clarinet to reinforce the double bass part. In the published score as well as for the recorded version I include two additional cellos. The piece begins with a simple series of harmonies played as guitar arpeggios sustained by the bowed strings. It then evolves into an extended melody, a kind of song-without-words, for the solo viola supported by occasional duet material for the cello. The music was written specifically for the qualities which my own players bring to this music, particularly the expressive playing of my viola player Bill Hawkes.
The piece is dedicated to my daughters Ziella and Orlanda, both of whom are cellists and both of whom have played this piece with me on many occasions.