Instrumentation: 2 Pan-pipes, 2 alto saxophones, bass-clarinet, 2 sampling keyboards, octopads (with sampler), 5-string violin, 5-string cello, electric guitar, electric bass
First Performance: Bristol, April 18th 1993
The Archangel Trip (1992)
This piece, written for Icebreaker, uses most of the instruments available within its unique line-up. The title, and aspects of the musical imagery, comes from a pun derived from Icebreaker’s name and inspired by a documentary film about two Russian icebreakers that ply the seas above the northern coasts of Russia. The home port of the ships is the north-western town of Archangel and the two ships move independently through these frozen and inhospitable seas – one sailing from east to west, the other from west to east – and meeting occasionally when their paths cross. The piece, then, becomes a kind of journey, moving from one musical state to another. It begins and ends in home territory, a sequence of drones derived from Japanese court music. The central section is an extended arioso for saxophones, doubled at times by the electric guitar using an E-bow, accompanied by electric strings, rough-hewn percussion and hocketting pan-pipes.
The idea for the piece was suggested in part by Jules Verne’s novel Measuring a Meridian.