Instrumentation: solo French horn, percussion ( 6 players), (+ optional string trio)
First performance: Théâtre de la Ville, Paris 20 November 1986 (reduced instrumentation); Union Chapel, Almeida Festival, June 13 1987(full version)
Viennese Dance No. 1 (1985)
for French horn and percussion (6 players)
Viennese Dance No.1 was written in 1985 for Pascal Pongy, at that time principal horn with the orchestra of the Opéra de Lyon. It was written to be included in my first recording for ECM Records and the first performance took place in the recording studio in Ludwigsberg, Germany.
I had worked closely with Pascal during the period of rehearsal and performance of my first opera Medea in 1984 and we became good friends. The music originated in an aria I drafted for Mata Hari, who appears as one of a number of historical and fictional characters in Robert Wilson’s projected opera The Civil WarS which I worked on from 1981 until its abandonment in 1984. Some parts of the accompaniment, for a large ensemble involving six percussionists, was tried out during sketch rehearsals in the radio station in Baden Baden. Mata Hari was one of the three most celebrated dancers in the world who, unknown to each other, happened to be staying in Vienna on the same night in 1904 – hence the title. My first string quartet (subtitled “between the National and the Bristol”) also recorded for the same album alludes to this coincidence too.