LnRiLWZpZWxke21hcmdpbi1ib3R0b206MC43NmVtfS50Yi1maWVsZC0tbGVmdHt0ZXh0LWFsaWduOmxlZnR9LnRiLWZpZWxkLS1jZW50ZXJ7dGV4dC1hbGlnbjpjZW50ZXJ9LnRiLWZpZWxkLS1yaWdodHt0ZXh0LWFsaWduOnJpZ2h0fS50Yi1maWVsZF9fc2t5cGVfcHJldmlld3twYWRkaW5nOjEwcHggMjBweDtib3JkZXItcmFkaXVzOjNweDtjb2xvcjojZmZmO2JhY2tncm91bmQ6IzAwYWZlZTtkaXNwbGF5OmlubGluZS1ibG9ja311bC5nbGlkZV9fc2xpZGVze21hcmdpbjowfQ==
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
for six voices (three sopranos, three tenors), or SSATTBar
Text: Petrarch
Duration c. 70’
Dedication: John Potter
First Performance (of 4) Trio Mediaeval Sextet, Norway April 2002;
first complete performance Yorvox, Cambridge July 19th 2002
Gavin’s Notes:
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
Second Book of Madrigals (published ED 12786)
- Benedetto sia ‘l giorno (SSATTBar)
- Io son già stanco (SSATTBar)
- Quando dal proprio sito / Ma poi che ‘l dolce riso (SSATTBar)
- Poi che voi et io (SSATTBar)
- Non veggio ove scamper (SSATTBar)
- Ponmi ove ‘l sole (SSATTBar)
- Non Tesin, Po, Varo (SSATTBar)
- I’ vidi in terra angelici (SSATTBar)
- O passi sparsi (SSATTBar)
- Una candida cerva sopra l’erba (SSATTBar)
- Che fai? Che pensi? (SSATTBar)
- Amor, che meco al buon tempo ti stavi (SSATTBar)
- Fu forse un tempo dolce (SSATTBar)
- Morte à spento (SSATTBar)
Marconi’s Madrigal: Se ‘l sasso ond’ è più chiusa questa valle (SSSTTT and percussion)